I was connected with Jodi Paloni when I was searching for editorial expertise on a memoir I was writing. “You’ll love working with Jodi,” said our connection. “She is into the natural world, and relationships, and loss like you are.”
The more I worked with and learned about Jodi, the more I did, indeed, love working with her. She is a poet, a writer of a lauded book of fiction, a coach and a yoga practitioner. And, I discovered, a terrific collage artist.
I wanted to know how she came to making collages. Was the experience of writing similar to the experience of making a collage? Did she see a difference in the kinds of stories she writes and the kinds of stories her collages tell? And so much more…
I first met Cathaleen Curtiss at a programming class during my first few days working at America Online in 1997. We were being taught how to post content using AOL’s bespoke publishing system, Rainman. She was the company’s new Director of Photography, and would grow, and eventually run, a staff of 60 photo editors, setting the visual tone of the service. Continue reading “Creativity Talks: Cathaleen Curtiss, Storytelling in Felt”→
In 2009, I heard about Matt Sesow, a D.C. artist who was described to me as “a modern-day Picasso.” I was skeptical (I tend to be skeptical about most things just-met dates tell me). But when I looked at Sesow’s website, I felt as though my fingers had just been stuck into an electric outlet: the paintings’ energy pulsated, jumped and vibrated. His colors burned. Continue reading “Creativity Talks: The Art and Energy of Self-taught Painter, Matt Sesow”→
Sometimes I’m grabbed by the heart when I look at art. In those times, I don’t look for “meaning” in the painting, I don’t do anything but feel: pleasure, love, excitement, sometimes a physicality that is like melting or merging with shapes or color or line. It’s like falling in love.
“Every artist dips his brush in his own soul, and paints his own nature into his pictures.” — Henry Ward Beecher
I’ve been doing test runs with different personas over the last 48-years, looking for aspects of identity I might use. I’ve built internal stories and altered my appearance to help me adapt to new places and people. Despite all the changing around, though, I’ve never wondered WHO I am. Every one of the personas, even those appearing only in a photograph, has been an expression of me. As the late Oliver Sachs said, “We have, each of us, a life-story, an inner narrative — whose continuity, whose sense, is our lives. It might be said that each of us constructs and lives, a “narrative,” and that this narrative is us, our identities.” Continue reading “About Face”→
I’m not wild about Monet’s art. But I am wild about what he had to say about seeing, producing, creating. He, an art master of great renown, expressed so perfectly that with which I have been unsuccessfully flailing about. Namely, the importance of SEEING. Not just looking at things, not just naming them and moving on, but slowing down, actually removing yourself from thinking, and seeing what you are looking at. Continue reading “Forget the Name of What You Are Seeing”→
Since 1970, and the first celebration of our planet, Earth Day has been an important day for me. I set aside time that day to meditate on my relationship with the Earth. And I inevitably feel enormous gratitude for being sustained by this planet in body, mind and soul. Not just sustained, however, but inspired to create, to respect and protect the environment and all life. Continue reading “Prayers for the Earth”→